England's rise to prominence on the world stage over the course of thousands of years is a tumultuous tale that includes equal parts triumph and tragedy. This volume grants readers a first-row seat as the drama unfolds, told with inimitable elegance, insight, and wit by world-renowned British thinker and writer G.K. Chesterton.
Whether you're a reader who is new to G.K Chesterton's work or a longtime fan searching out more of his material, this collection of short stories and essays is sure to fit the bill. The pieces brought together in this volume display the full range of Chesterton's wide-ranging intellect and the keen precision of his razor-sharp prose.
When the concept of eugenics—the practice of selecting for desirable traits in the larger population by encouraging gifted and/or attractive people to breed—began to take hold in the early twentieth century, British thinker and writer G.K. Chesterton took a stance contrary to that of many intellectuals of the period and denounced it as evil in this bold, engaging series of essays.
Renowned as a spiritual thinker and sometimes Christian apologist, intellectual G.K, Chesterton never backed away from difficult or controversial topics. This extended take on the topic of heresy will engage believers and non-believers alike. A rewarding read for those with an interest in religious philosophy.
In his very first attempt at playwriting, British author G.K. Chesterton knocked it out of the proverbial ballpark with Magic, a drawing-room comedy in which a diverse group of friends and family members gather together to enjoy the entertainment provided by an amateur magician. What ensues is a philosophical free-for-all during which virtually every "ism" under the sun is mercilessly skewered.
Some critics and fans regard this short comic novel as one of the most accomplished—and underrated—of G. K. Chesterton's works. A windy storm hits London and blows in "holy fool" Innocent Brown, one of the most interesting and memorable literary characters of the twentieth century. On the first day of his arrival, he creates happiness and fortuitous outcomes for all of those around him. But soon afterwards, it's revealed that he's a scoundrel and a crook.
In Orthodoxy, a classic work of Christian apologetics, G. K. Chesterton writes with the purpose of attempting "an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it." Christianity, in Chesterton's original view, is the "answer to a riddle" and the natural solution to our needs, and in this way it is deeply personal rather than an arbitrary truth from outside one's experience. Orthodoxy is the culmination of Chesterton's free-thinking and well-reasoned inquiry as he seeks an explanation to the mystery of being human.
Pater-Brown-Geschichten Insel-Taschenbuch (Band 1263) 19 Detektivgeschichten ; mit einem Anhang: Die Entdeckung des Pater Brown ; Lebensdaten Chestertons ; Bibliographie Insel-Verl., Frankfurt am Main (1990)
Standort: Chest Krimi
G.K. Chesterton lends his witty, astute and sardonic prose to the much loved figure of Saint Francis of Assisi. Grounding the man behind the myth he states "however wild and romantic his gyrations might appear to many, [Francis] always hung on to reason by one invisible and indestructible hair.... The great saint was sane.... He was not a mere eccentric because he was always turning towards the center and heart of the maze; he took the queerest and most zigzag shortcuts through the wood, but he was always going home." A 2002 review in the Franciscan wrote that "his opinions shine from every page. The reader is rewarded with many fresh perspectives on Francis."
Only G.K. Chesterton could tackle some of the most persistent and complex questions about the Christian faith in such an engaging format. The Ball and the Cross presents a surprisingly good-humored take on timeless debates about faith, pairing plenty of witty repartee with deep and penetrating philosophical insights.
British writer G.K. Chesterton was an irrepressible jack-of-all-trades when it came to literature, producing popular works in virtually every genre. The Ballad of the White Horse is an epic poem detailing the triumphs and travails of Saxon King Alfred the Great. It is said that Chesterton spent more time on this poem than any other work, and some critics regard it as his finest poetic accomplishment.
Equally well-known for his sophisticated philosophy tracts and his top-notch detective fiction, G.K. Chesterton was himself something of a literary jack-of-all-trades. This beloved collection of detective stories and mysteries is based on a club that is only open to those who rely on unusual or extraordinary lines of work as their main source of income. A fast-paced, purely enjoyable collection that is sure to tickle the fancy of classic detective fiction fans.
The star of these stories is Father Brown, a character created by writer G. K. Chesterton. Based on a parish priest who was partially responsible for Chesterton's conversion to Catholicism in 1922, Brown is a stubby Catholic priest equipped with a large umbrella, a formless outfit and a sharp insight into the human nature. The stories included here are The Blue Cross, The Secret Garden, The Queer Feet, The Flying Stars, The Invisible Man, The Honour of Israel Gow, The Wrong Shape, The Sins of Prince Saradine, The Hammer of God, The Eye of Apollo, The Sign of the Broken Sword, and The Three Tools of Death.
The Man Who Knew Too Much is a collection of short stories by British writer Gilbert K. Chesterton, featuring his detective Horne Fisher. From the upper-classes himself, Fisher has a unique insight into political power—a position which complicates his investigations when they approach the higher levels of corrupt government. Chesterton's witty, paradoxical work, published in 1922, gives an interesting view of the pre-Great War era.
The metaphysical thriller The Man Who Was Thursday: A Nightmare, written by G. K. Chesterton in 1908, deals with a philosophical or theological anarchism; more a rejection of God than a rejection of government. The novel was described by Adam Gopnik as "one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges."
The Napoleon of Notting Hill is a futuristic novel set in London in 1984. Chesterton envisions neither great technological leaps nor totalitarian suppression. Instead, England is ruled by a series of randomly selected Kings, because people have become entirely indifferent. The joker Auberon Quin is crowned and he instates elaborate costumes for every sector of London. All the city's provosts are bored with the idea except for the earnest young Adam Wayne - the Napoleon of Notting Hill.
The star of these stories is Father Brown, a character created by writer G. K. Chesterton. Based on a parish priest who was partially responsible for Chesterton's conversion to Catholicism in 1922, Brown is a stubby Catholic priest equipped with a large umbrella, a formless outfit and a sharp insight into the human nature. The stories included here are The Absence of Mr Glass, The Paradise of Thieves, The Duel of Dr Hirsch, The Man in the Passage, The Mistake of the Machine, The Head of Caesar, The Purple Wig, The Perishing of the Pendragons, The God of the Gongs, The Salad of Colonel Cray, The Strange Crime of John Boulnois, and The Fairy Tale of Father Brown.
British author G.K. Chesterton was a prolific writer and daringly original thinker who made his mark in virtually every literary genre. The collection Tremendous Trifles highlights a compelling cross-section of Chesterton's body of work, including sketches, essays, and newspaper columns. It's a perfect compendium for new readers and long-time Chesterton buffs alike.
British polymath, philosopher and poet G.K. Chesterton takes on capitalism in this wide-ranging collection of essays. Approaching the subject from a moral perspective tinged with Christian ethics, Chesterton presents an array of powerful arguments that are surprisingly fresh, a century after the book's initial publication.
Like many writers and thinkers of his era, British author G.K. Chesterton toured the United States to get a clearer sense of the country's culture and zeitgeist. The collection What I Saw in America offers Chesterton's impressions of the U.S. in the early twentieth century. Part travelogue, part cultural critique, and part historical analysis, this unique volume is a must-read for Chesterton fans or those with an interest in American history.
During his lifetime, British author and thinker G.K. Chesterton gained a reputation as a top-rate intellectual and social critic. In this volume, Chesterton turns his attention to a series of major problems facing the world at the turn of the twentieth century, offering his one-of-a-kind take on each topic.
Although he gained widespread acclaim as an intellectual and as a writer of fiction, G.K. Chesterton dabbled in virtually every literary genre over the course of his career. This collection of his verse ranges from serious philosophical musings to whimsical observations. A must-read for fans of traditional poetry.
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